Photographer Utilizes Infrared Imaging, AI, and Augmented Reality to Investigate Marginalization in Fascinating Series [Interview]

# **Tobi Shinobi’s *Blood on the Leaves*: Employing Infrared Photography to Unveil the Unseen**

Tobi Shinobi is a renowned photographer and filmmaker celebrated for his skill in crafting impactful, thought-provoking narratives through visual media. Operating between Chicago and London, Shinobi investigates the confluence of photography, filmmaking, and cutting-edge technologies. His newest series, *Blood on the Leaves*, presents a profound inquiry into identity, visibility, and history through the lens of infrared photography.

By transcending creative boundaries and weaving in artificial intelligence (AI) and augmented reality (AR), Shinobi urges audiences to reassess their perceptions—and to acknowledge what often eludes the eye.

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## **A Devotion to Uncovering the Unseen**

Shinobi views photography as a matter of perspective. His creations are not merely records of reality but emphasize what typically goes unnoticed. His intrigue with contrast—between light and shadow, motion and stillness—shapes his visual storytelling technique. “I’ve always been captivated by seeing the world through a different lens,” he remarks.

Infrared photography, specifically, enables Shinobi to alter viewers’ interpretations. “Infrared removes the conventional,” he articulates. “It metamorphoses the commonplace into something resembling the mythical, ethereal, yet profoundly authentic.” By unveiling light wavelengths that the human eye cannot detect, this method serves as an apt metaphor for overlooked narratives and unspoken histories.

In *Blood on the Leaves*, Shinobi transforms this concept into a powerful criticism of the marginalization of Black individuals. The series redefines the notion of invisibility, rendering the unseen utterly unavoidable.

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## **The Influence Behind *Blood on the Leaves***

The concept for *Blood on the Leaves* arose from profound contemplation regarding representation and visibility, especially in light of recent social justice movements. The assassination of George Floyd in 2020 and the subsequent global reaction to entrenched racial injustices deeply impacted Shinobi’s artistic vision.

The rainforests and American terrains take on an otherworldly, evocative quality in this series, blending beauty with sorrow. The title of the project alludes to Billie Holiday’s poignant song *Strange Fruit*, which portrays the lynching of Black Americans. Nonetheless, Shinobi’s work transcends merely historical commentary, merging past and present into a cohesive visual story. “I aimed to illustrate how history persists in the present—how an unresolved wound requires extensive time to heal, if it heals at all.”

Infrared, by its inherent nature, reveals what exists yet remains concealed—echoing the histories and challenges faced by marginalized groups. It becomes an instrument for enhancing visibility and fostering dialogue about race, history, and justice.

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## **Integrating Photography, Technology, and Narrative**

What distinguishes *Blood on the Leaves* is Shinobi’s incorporation of contemporary technology. He transcends traditional photography by integrating AI animation and AR components. Viewers can scan the visuals with their smartphones to listen to Shinobi’s voice, sharing personal thoughts and insights regarding his creative journey.

For Shinobi, technology is not merely an enhancement—it is a vital extension of narration. “A still photograph captures a singular moment in time,” he observes, “but AI and AR enable me to amplify that moment, drawing viewers deeper into the experience.” By animating infrared images and layering narration, he connects the worlds of photography and filmmaking.

This blend of forms also reflects Shinobi’s ongoing creative evolution. Once exclusively a photographer, he is now delving further into filmmaking and interactive media. “The world is devoid of empathy,” he comments. “If my narrative can prompt individuals to become more empathetic, then I have accomplished my goal.”

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## **What Lies Ahead for Tobi Shinobi?**

Shinobi continues to expand his work into novel, immersive formats. He is investigating larger installations, projection mapping, and interactive experiences that deepen engagement with his themes. His forthcoming documentary *Twenty-Five*, produced in collaboration with filmmaker Lonnie Edwards, will use infrared cinematography to examine Chicago’s socio-political history and identity.

Additionally, Shinobi is seeking gallery representation and crafting new AR experiences aimed at further challenging traditional notions of visibility and history.

Ultimately, his work remains anchored in a singular purpose: “Encouraging people to observe. To contemplate their environment. To consider the influence they have and the accountability that entails.”

Through *Blood on the Leaves*, Shinobi has created more than just a collection of images—he has fashioned an immersive experience that compels viewers to confront harsh realities and reevaluate their understanding of the world.

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### **Discover More of Tobi Shinobi’s Work:**
👉 [Website](https://www.tobishinobi.com/) | [Instagram](https://www.instagram.com/tobishinobi/)

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