Resin Sculptures Seize Brushstrokes in a State of Suspended Animation, Transforming Conventional Painting
# Fabian Oefner’s *VOLUMEN*: A Groundbreaking Take on Painting
Celebrated Swiss artist Fabian Oefner is renowned for his distinctive method of investigating time, space, and reality through the medium of art. He skillfully merges art and science, frequently partnering with specialists from various fields to create pioneering visual experiences. Oefner’s newest endeavor, *VOLUMEN*, stands as yet another testament to his profound curiosity and inventive creativity. This fresh series of 12 pieces pushes the limits of conventional painting by transforming two-dimensional brushstrokes into three-dimensional sculptural creations.
## *VOLUMEN*: Transitioning Brushstrokes into Sculpture
Within *VOLUMEN*, Oefner captures lively brushstrokes inside transparent resin boxes, suspending them in a timeless realm where they can be viewed from all sides. The fluid motions of each stroke—depicted in vivid shades of blue, red, orange, and pink—seem to be arrested in mid-flow. Usually, a brushstroke endures for just a moment before becoming part of the greater composition on a canvas. By isolating these gestures and encasing them in resin, Oefner elevates them from transient marks to standalone sculptural pieces.
This metamorphosis challenges our understanding of painting as a principally two-dimensional art form. Rather than being restricted to a canvas, the brushstrokes occupy space, permitting viewers to scrutinize the intricacies of each gesture from angles impossible in traditional artworks. These suspended strokes redefine our perceptions of physicality, movement, and artistic purpose.
## Capturing Motion: The Concept of Stilled Time
Oefner’s art frequently interacts with the notion of time—its movement and the ways it can be altered. In prior series like *Disintegrating* and *Heisenberg*, he meticulously broke down objects to explore their structural essence in ways that defy both physical and temporal boundaries. With *VOLUMEN*, he employs this same principle to freeze motion itself.
The brushstroke as a transient gesture is a core concept in painting. However, by physically encasing it, Oefner interrupts the flow of time, crafting an object that exists as both an action and a moment perpetually preserved. His technique resonates with the works of abstract expressionists such as Willem de Kooning and Jackson Pollock, whose paintings embodied an intrinsically tactile quality. Oefner acknowledges this influence, stating:
> “I have always been enthralled by the textural nature of paintings. For me, engaging with pieces like de Kooning’s *Door to the River* or Pollock’s *Lavender Mist* has always been as much a tactile experience as a visual one. These artworks feel almost sculptural to me. What I am doing is eliminating the canvas completely and elevating the paint into space, rendering its physicality entirely tangible.”
## A New Phase in Oefner’s Artistic Journey
*VOLUMEN* represents a continuation of Oefner’s long-standing exploration at the nexus of art, science, and perception. By isolating the essential action of painting—the brushstroke—and securing it in an unconventional medium, he compels us to rethink our connection with the creative process.
These pieces enable us to view painting from a novel perspective, not merely as an artistic legacy but as a dynamic and evolving form of expression that can surpass the confines of its medium. Oefner’s meticulous attention to detail and conceptual richness stretch the limits of what we consider achievable in art, demonstrating that innovation flourishes when diverse fields converge.
## Discover *VOLUMEN*
Fabian Oefner’s *VOLUMEN* series invites you to experience painting in an unprecedented manner. For further insights into his work, visit his [official website](https://fabianoefner.com/) or check out his [Instagram page](https://www.instagram.com/fabianoefner/) for the latest updates on his projects.
By converting ephemeral moments into lasting forms, Oefner persistently challenges artistic norms, affirming that time, space, and reality are not rigid but rather fluid—a concept he vividly illustrates through his extraordinary artistry.