Jeffrey Gibson’s Guardian Animal Sculptures Featured on The Met’s Facade

On a glorious day in New York City, artist Jeffrey Gibson’s new facade commission at The Metropolitan Museum of Art, titled “The Animal That Therefore I Am,” captures the attention of onlookers. Inspired by Jacques Derrida’s book of the same name, the bronze sculptures form part of the ongoing series at The Met and delve into the profound interconnection between humans and animals. This latest series consists of four 10-foot bronze animals, each dressed in stunning regalia inspired by the natural materials they interact with. The animals—a deer, coyote, hawk, and an acorn-crowned squirrel—are deeply linked to Indigenous culture and resonate with the natural fauna of New York and the Hudson Valley.

Strategically situated to grace The Met’s facade, this is the sixth commission in the series, following contributions from artists such as Lee Bul and Wangechi Mutu. These pieces by Gibson, who lives and works in the Hudson Valley, revisit Indigenous narratives, including a Choctaw legend of a sun-consuming squirrel, to add striking visual storytelling to The Met’s classical architecture. Each sculpture’s adornments—from beaded capes to acorn necklaces—redefine their connection to their environment, merging natural elements with artistry.

As witnessed today, Gibson’s art instills a dialogue with The Met’s classical design, offering a modern counter-narrative while respecting Indigenous expressions. His work will remain on view, blending and conversing with the living history of its urban setting until June 9, 2026.