Humans of New York Hosts Event at Grand Central
**Brandon Stanton’s “Dear New York” Installation at Grand Central Terminal**
Brandon Stanton, renowned for his “Humans of New York” series, embarks on a new artistic endeavor with “Dear New York,” a groundbreaking public photo installation in Grand Central Terminal. This unique project, running until October 19, showcases Stanton’s extensive collection of New Yorkers’ portraits, strategically displayed throughout the station’s grand concourse, including subway stops for the S, 7, 4, 5, and 6 trains.
For this first-of-its-kind exhibit at Grand Central, Stanton invests most of his 15-year savings, replacing all traditional advertisements with expressive, thematic photographs. He includes contributions from 600 public school students and 11 local photographers, diversifying the narratives and celebrating individual stories drawn from the city’s vibrant cultural tapestry.
Stanton’s empathetic approach captures poignant human experiences, often characterized by heartfelt quotes such as “I want to start talking to my family again,” manifesting the project’s intent to resonate with the public and foster emotional engagement. This democratization of public art, as Stanton describes, invites the community to interact and connect with the exhibited stories.
Initially popularized on Facebook, Stanton’s photographic journey now also thrives on Instagram, boasting a substantial follower base and funding successful charitable ventures, raising $10 million for city charities. However, this latest Grand Central initiative significantly exceeds his prior financial commitment.
Aiming to craft an artistic homage to New York and its people, Stanton’s efforts extend beyond visual storytelling, incorporating live performances by Julliard pianists, with aspirations of further community involvement. As Stanton continues to adapt the exhibit based on audience interaction, he underscores the collective contributions that underpin the project’s success.
**Visual and Interactive Elements**
Stanton meticulously curates his installation, featuring bold, evocative images alongside succinct, reflective quotes. The visual and emotional impact of these elements reinforces the overarching theme of connection and humanity within an urban setting. The installation’s design exploits Grand Central’s architectural dimensions, creating an immersive, multi-level experience.
In parallel, Stanton’s latest book, also titled “Dear New York,” complements the exhibit, offering a comprehensive narrative that encapsulates his photographic insights and city-centric artistry over the last decade and a half.
**Expert Commentary and Public Reception**
The exhibit has become an unmissable spectacle for New York’s visitors, with notable figures like local fashion designer Mary Jaeger praising the city’s dynamic art scene. Additionally, featured photographer Sabrina Santiago shares her enthusiastic perception of the project’s inclusive artistic community.
In Stanton’s visionary pursuit, “Dear New York” becomes more than an art exhibit—it transforms into an evolving dialogue, inviting each viewer to witness, absorb, and reflect on the diverse, poignant tales woven into the fabric of New York City.