Exploring Epstein’s Actions Through the Lens of de Sade’s Philosophy

**The Intellectual Elite and Their Role in Absolving Abusers**

In a recent examination of the Jeffrey Epstein files, the extent to which influential figures in the arts, politics, and business circles attempted to portray Epstein as a misunderstood individual rather than acknowledging his criminal behaviors has been scrutinized. Ed Simon provides an urgent analysis, likening this phenomenon to the historical absolution of the Marquis de Sade, wherein power and wealth interwove to normalize immorality.

In light of Epstein’s sex trafficking operations, certain members of the so-called intellectual elite appeared eager to legitimize his actions as a kind of virtuous hedonism. This is reminiscent of the origins of sadism and its ties to cruel politics and oppressive systems, as argued by Ed Simon.

Further revelations come amid billionaire Les Wexner’s continued denial of knowledge regarding Epstein’s crimes, explored by Staff Writer Rhea Nayyar. Despite his longstanding financial ties to Epstein, Wexner claims naivety, a stance that some lawmakers question.

On a brighter note, Hyperallergic is hosting an online conversation featuring artist Damien Davis with Editor-in-Chief Hakim Bishara, an event dedicated to providing relief from the art world’s darker narratives. The discussion is exclusive to Hyperallergic members.

**Brooklyn Fine Art Print Fair Returns**

The Brooklyn Fine Art Print Fair is set to make its next appearance at Powerhouse Arts in the spring, offering an expanded range of over 50 exhibitors and engaging programming. Slated for April 9–12, 2026, the fair promises an exciting lineup for art enthusiasts.

**Critical Perspectives and Artistic Recognitions**

Damien Davis continues to shed light on power imbalances within the art industry through his writing. Additionally, the Vilcek Foundation recently awarded $250,000 to five immigrants for their significant contributions to fashion documentation.

Finally, the return of events like the Lunar New Year celebration at the Metropolitan Museum of Art and the ongoing conversation around the broad definitions of “emerging” artists underscore a dynamic and ever-evolving art scene.