The Decline of Democratic Practices in Iberia

**Art Review: Inquietud. Libertad y Democracia at La Casa Encendida, Madrid**

The exhibition “Inquietud. Libertad y Democracia” at Madrid’s La Casa Encendida offers a profound exploration of democracy and freedom through the lens of Spanish and Portuguese artistic expressions. Curated by Paulo Mendes and Sandra Vieira Jürgens, this exhibition features over 50 artists and nearly 80 diverse works, ranging from paintings and photographs to videos and sculptures. The showcase delves into the political transitions both nations underwent post-dictatorship, amidst growing concerns over the resurgence of far-right sentiments in the region.

Drawing inspiration from José Mário Branco’s 1982 song “Inquietação,” the exhibition captures the essence of post-revolutionary challenges and uncertainties. The space itself, with its unpainted walls and provisional design, mimics a construction site, symbolizing democracy as an ongoing, collective endeavor rather than a finished product.

Key pieces include Santiago Sierra and Jorge Galindo’s “Los Encargados,” which critiques the possibly superficial nature of Spain’s democratic transition. Eduardo Arroyo’s portrayal of Victor Emmanuel III succinctly condemns historical authoritarianism. Additionally, Anna Jermolaewa’s “The Doubles” and Bárbara Fonte’s “Sem título (As mulheres do meu país)” reflect on the pervasive impact of patriarchal and colonial legacies.

The exhibition’s timing resonates globally as democratic principles are increasingly challenged worldwide. “Inquietud. Libertad y Democracia” stands as a pertinent reminder of the vigilance required to safeguard freedom, urging viewers to actively participate in the democratic process.

The exhibition will be open to the public at La Casa Encendida until March 8, inviting all to engage with its compelling narrative on liberty and democratic accountability.