Effects and Recovery Challenges of a Two-Year Cycle Celebration
The Whitney Biennial, opening to the public tomorrow, is a pivotal event in the American art calendar. Despite some perceiving a decline in its prominence over recent years, it remains a critical barometer for measuring the pulse of contemporary American art. Our critics and editors have shared their insights about the upcoming show, providing a comprehensive narrative on what to expect from this year’s Biennial.
This spring, New York is buzzing with art exhibitions spread all around the city. Our guide will help you discover must-see shows, featuring a variety of themes from historical retrospectives to contemporary installations. The weekend promises a sunny forecast of 60 degrees Fahrenheit, ideal for exploring the vibrant art scene.
Meanwhile, a profound loss looms over the arts community with the impending closure of the DePaul Art Museum. Its shutdown has elicited disappointment and concern among artists and art enthusiasts, who believe that a more strategic approach could have prevented this situation. Efforts are underway to oppose the closure and seek alternatives.
In this issue, delve into Seph Rodney’s review of Carol Bove’s exhibition at the Guggenheim, John Yau’s exploration of Cordy Ryman’s abstract work, and Julia Curl’s uncovering of Lisette Model’s jazz photographs, which were once suppressed by the FBI. Additionally, learn about the phenomenon of “creative hangovers,” a condition some artists experience after intense creative spurts, and how it can be remedied.
Please support our work by becoming a Hyperallergic member. It’s less than $8 a month for you, but a huge help for us. Enjoy reading and have a great weekend.
—Hakim Bishara, editor-in-chief
First Impressions From the 2026 Whitney Biennial
Here’s what we liked, what we didn’t like, and what we’re still working through. | Lisa Yin Zhang, Lakshmi Rivera Amin, and Hrag Vartanian
The Polycrisis Sublime of the Whitney Biennial
It felt like the world as I experience it: no clear path, but enough moments of beauty to convince me to put one foot in front of the other. | Aruna D’Souza
Making a Mess With CFGNY
We spoke to the fashion collective, who will be in the Whitney Biennial and shows at Pioneer Works and Amant, about collectivity and taking chances. | Lisa Yin Zhang
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