{"id":555800,"date":"2026-04-10T21:35:35","date_gmt":"2026-04-10T21:35:35","guid":{"rendered":"https:\/\/winklersart.com\/?p=555800"},"modified":"2026-04-10T21:35:35","modified_gmt":"2026-04-10T21:35:35","slug":"the-significance-of-process-highlighted-at-ifpda-print-fair","status":"publish","type":"post","link":"https:\/\/winklersart.com\/?p=555800","title":{"rendered":"The Significance of Process Highlighted at IFPDA Print Fair"},"content":{"rendered":"<p>There\u2019s something special about visiting an art fair when New York is on the cusp of spring. On Thursday night, April 9, well-dressed patrons marched into the Park Avenue Armory for the newly renamed International Fine Prints and Drawings Association\u2019s (IFPDA) annual Print Fair that kicked off the city\u2019s spring fair season. <\/p>\n<p>The fair, which started in 1991 and returns to the Upper East Side fortress, has become a favorite among the city\u2019s wealthy collectors and everyday print enthusiasts alike. IFPDA\u2019s atmosphere is far more intimate than its counterparts at the autumn art fairs, but another main draw is the comparatively lower pricing.<\/p>\n<p>\u201cI think there\u2019s a comfort level with collectors. There&#8217;s a place to find a price point that fits,\u201d Temma Nanas, partner at Santa Monica-based Leslie Sacks Gallery, told Hyperallergic. \u201cPrint is a more democratic medium.\u201d<\/p>\n<p>With more than 80 galleries, print studios, and publishers from Europe, Asia, and the Americas, the fair is brimming with intriguing offerings from leading contemporary artists, including Julie Mehretu, David Hockney, and Yayoi Kusama.<\/p>\n<p>Visitors could pretend to be a member of NASA\u2019s Artemis II crew by beholding Kiki Smith\u2019s hand-painted watercolor, \u201cWooden Moon\u201d (2022), at Boston-based Krakow Witkin Gallery\u2019s booth. The 12-foot-long (~3.7-meter-long) work is her largest to date, according to IFPDA staff. Viewers could also dive into Japan\u2019s ukiyo-e tradition from the 19th-century Edo period with masterworks by Katsushika Hokusai and Utagawa Hiroshige at the booth of New York\u2019s Scholten Japanese Art.<\/p>\n<p>Around the corner, David Zwirner offered artist Louis Fratino\u2019s eye-catching portrait of a man in a colorful garden with a sleeping dog. Elleree Erdos, the gallery\u2019s director of prints and editions, said Fratino studied several Picasso etchings and applied them to his process. She appreciated that the fair allowed people to see both artists\u2019 work at Zwirner and nearby John Szoke Gallery and compare their techniques.<\/p>\n<p>\u201cPeople often ask, \u2018How was this made?\u2019\u201d Erdos said. \u201cThat\u2019s unique to the print fair. It is always the first greeting you get.\u201d<\/p>\n<p>At the back of the armory, IFPDA President and Old Masters gallerist David Tunick\u2019s inviting booth featuring Amedeo Modigliani\u2019s \u201cCariatide Rouge sur Fond Noir\u201d (c. 1914) and several delicate Henri de Toulouse-Lautrec works drew crowds. Toulouse-Lautrec\u2019s \u201cLa Clownesse Assise\u201d (1896) and the \u201cDivan Japonais\u201d (c. 1892) advertisement for a Parisian musical establishment, two of his most recognizable lithographs, transported onlookers to a romantic Montmartre cabaret. <\/p>\n<p>Paula Rego\u2019s series of abortion etchings at Cristea Roberts Gallery stood out as another fair highlight. The late Portuguese artist, whose series was acquired by the Metropolitan Museum of Art in 2023, demonstrated the psychological toll that underground, often dangerous terminations had on women and helped bring about abortion\u2019s legalization in the country in 2007.<\/p>\n<p>Fans of William Kentridge had plenty to see, too. Hauser &amp; Wirth\u2019s booth included his poignant etching, \u201cRefugees (You will find no other seas)\u201d (2018), which was inspired by a shipwreck of refugees off an Italian island in 2013, continuing his exploration of oppression and injustice. He also had an etching available at Krakow Witkin and two $4,500 lithographs, whose captions indicated that they were created to benefit the Print Center New York and the arts in South Africa.<\/p>\n<p>Several guests appreciated reconnecting with the fair\u2019s longtime vendors. Judith Solodkin, a printmaker and founder of SOLO Impression print publisher, greeted several women at her booth after returning for the first time since 2023. \u201cDon\u2019t you know she\u2019s famous?\u201d one of her friends boasted.<\/p>\n<p>Solodkin exhibited several fabric works, including a lovely Judy Chicago piece, \u201cWhat if Women Ruled the World?\u201d (2023), and a digital embroidery collaboration with artist Ceceilia Vicu\u00f1a, \u201cTara: the eye of compassion,\u201d that included an image of the earth in the pupil of an eye. <\/p>\n<p>For a certain New Yorker, nothing is as alluring as the city itself. Some of the largest crowds congregated at a booth for The Old Print Shop, which featured antique maps, historic prints of street scenes, and drawings of the city\u2019s skyline that spanned the colonial era to the 21st century.<\/p>\n<p>Harry Newman, whose family has run the Manhattan print shop for three generations, said interest in early maps and the Revolutionary War period was high as the nation prepared to celebrate its<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There\u2019s something special about visiting an art fair when New York is on the cusp of spring. On Thursday night, April 9, well-dressed patrons marched into the Park Avenue Armory for the newly renamed International Fine Prints and Drawings Association\u2019s (IFPDA) annual Print Fair that kicked off the city\u2019s spring fair season. The fair, which started in 1991 and returns [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":555801,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-555800","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/winklersart.com\/index.php?rest_route=\/wp\/v2\/posts\/555800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/winklersart.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/winklersart.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/winklersart.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/winklersart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=555800"}],"version-history":[{"count":0,"href":"https:\/\/winklersart.com\/index.php?rest_route=\/wp\/v2\/posts\/555800\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/winklersart.com\/index.php?rest_route=\/wp\/v2\/media\/555801"}],"wp:attachment":[{"href":"https:\/\/winklersart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=555800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/winklersart.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=555800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/winklersart.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=555800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}