Exploring Raúl de Nieves’s Stained Glass Tarot Creation
**Art Review: Raúl de Nieves’s Transformative Installation ‘In Light of Innocence’**
With its spiritual and religious connotations, Raúl de Nieves’s installation at Pioneer Works transforms the venue from a mere creative space into a contemplative sanctuary. This stained glass solo exhibition, titled *In Light of Innocence*, is a testament to cultural collaboration, intertwining elements from tarot, Mexican folklore, and Catholic iconography to conjure a grand cathedral-like atmosphere within the central gallery.
Stained glass, with a historical lineage dating back to ancient Rome, found its symbolic peak during the Middle Ages through the ornate cathedrals. This medium, once crafted through the collaboration of designers and artisans, now resurfaces in de Nieves’s works, demonstrating a rich tapestry of cross-cultural and temporal influences.
Upon arrival, visitors are greeted by a prominent *calavera*, or skull, in the circular window, overlooking figures representing faith, hope, and love. The installation is further enriched by a lightbox illuminating depictions of flies, skeletons, and the Mesoamerican god Tlaltecuhtli. This presentation deviates from traditional religious hierarchies, with tarot’s multiple perspectives inviting viewers to experience the work from distinct vantage points—both physically and ideologically.
From above, guests can intimately engage with stained glass panels portraying the Queen of Cups, Queen of Swords, and King of Pentacles, alongside the profound message: “And we are here to contemplate the wonders of life.” Such proximity allows for a humanizing perspective that contrasts with the divine command suggested when viewed from below.
Flies, an unconventional motif in this context, serve as potent symbols bridging death and life, their inclusion a nod to the interconnectedness of existence. These panels reference pop culture, with titles echoing lyrics from Marilyn Manson’s “Tourniquet,” further situating them within a contemporary dialogue.
Ultimately, de Nieves’s installation at Pioneer Works challenges visitors to reassess their perspectives on religious and cultural symbols. It remains on display at Pioneer Works in Brooklyn through December 14, curated by Gabriel Florenz, offering an evocative space for reflection on the intertwined themes of faith, mortality, and transformation.