Statement of Disassociation
In recent years, nativity scenes in the United States have taken on a new political dimension, serving as platforms for protest against stringent immigration policies. As instances of cruelty against immigrants persist, these traditional Christmas displays are being reimagined as potent symbols of resistance. For example, in Massachusetts, a nativity scene features a sign that states “ICE was here” in place of the figures of Mary and infant Jesus, highlighting the impact of immigration enforcement on families. Similarly, a nativity scene in Chicago carries a message reading, “Due to ICE activity in our community, the Holy Family is in hiding.” These installations echo a widespread sentiment of dissent against Homeland Security’s actions, rallying people to assert that such measures are not undertaken in their name.
In other news, a retrospective of the top 10 London art exhibitions of 2025 showcases celebrated artists including Kerry James Marshall, Jenny Saville, and Leigh Bowery. Unexpected entries like Henri Michaux, who created under the influence of mescaline, add intrigue to the list.
The realm of art theft has its notorious figures, such as Myles Connor, whose escapades from the 1970s continue to enthrall. Known for having stolen art from 30 collections, including a Rembrandt from Boston’s Museum of Fine Arts, Connor’s story is revisited in a new book reviewed by art crime professor Erin L. Thompson.
Additionally, MoMA PS1 is set to offer free admission beginning in 2026, a gesture enabled by the generosity of arts philanthropist Sonya Yu. Meanwhile, the Gala-Salvador Dalí Foundation launches Platform Dalí, a program intended to meld the realms of art and science.
Jennifer Samet’s acclaimed column, “Beer With a Painter,” makes a return with a focus on New York-based artist Melissa Joseph, celebrated for her familial felt tableaux. Lastly, retrospective examinations among critics highlight exhibitions like “Wifredo Lam: When I Don’t Sleep, I Dream” at the Museum of Modern Art, which delves into themes of Black identity and decolonization, seamlessly incorporating global perspectives into European modernist narratives.