Telling the Story of Resource Extraction in Appalachia

Fia Backström’s latest exhibition at the Queens Museum, “The Great Society,” delves into the interplay of environmental degradation, disaster capitalism, and intergenerational poverty in the Appalachian region. The Swedish artist’s work stems from nearly a decade of immersive visits to Buffalo Creek, West Virginia, a place marked by both strong community ties and a tragic history of mining disasters. Through a mix of photography, embroidery, docupoetry, and video, Backström reflects on the human and ecological impacts of coal mining and its aftermath.

One notable piece, “Buffalo Creek Therapy Quilt 2025,” crafted with local residents, echoes a historical quilt made post-disaster, emphasizing the cycle of history and resilience. Backström’s exhibit questions the role of art in telling stories not her own, avoiding exploitation while fostering solidarity. By weaving local testimonies and history into her art, she highlights the enduring spirit and challenges faced by the Appalachian community, offering a poignant commentary on survival and collective memory.