David Driskell’s Contributions to Black Art

David C. Driskell was a renowned artist and scholar who spent decades championing Black artists by collecting, creating, and providing financial support through the Driskell Prize. The Portland Museum of Art in Maine currently hosts “David C. Driskell: Collector,” a tribute to his extensive collection of African-American art and his own artistic contributions. Driskell began collecting art in 1955 while teaching at Talladega College, using a modest budget from his salary. His collection encompasses a broad stylistic range, showcasing works from Romanticism, Impressionism, and sculptures by artists like Elizabeth Catlett and Meta Vaux Warrick Fuller.

Driskell’s influence extends beyond his collection; he curated the 1976 “Two Centuries of Black American Art” exhibition, solidifying his role in advocating for Black artists’ place in history. His art, from self-portraits to abstract pieces, reflects a variety of techniques.

Significant dialogues between artworks in the exhibition offer a narrative of the Black experience through different eras. Driskell’s legacy includes the David C. Driskell Prize, which honors contemporary Black artists and scholars, highlighting his enduring impact on the art community. The exhibition at the Portland Museum continues through March 1, curated by Shalini Le Gall.