Remembering James Hayward: Celebrated Cowboy Painter of Los Angeles

Abstract painter James Hayward, a towering figure in the Los Angeles art scene, passed away last week at the age of 82. Renowned not only for his contributions to art but also his formidable persona, Hayward was both a cherished friend and an irreplaceable voice within the artistic community.

Born in San Francisco in 1943, Hayward was predestined for a life in art, attending college immediately after high school to pursue his passion. His career path led him to teach at various colleges across the United States, eventually establishing roots in Southern California in the mid-1960s.

Initially, Hayward gained recognition for his hard-edge paintings, but he eventually gravitated toward what he termed “monochromatic abstractions.” These oil and wax impasto works became his trademark, though he staunchly opposed the term “frosting” to describe their gooey, vibrant textures. This signature style earned him a place among the abstract and Minimalist painting elite, cementing his reputation as a seminal figure in the genre.

Hayward’s influence extended beyond his art. His vibrant personality, sharp humor, and unfiltered candor made him a beloved figure amongst peers and students. Those who spent time with Hayward quickly learned that his talents transcended painting; he was a storyteller with an arsenal of anecdotes, often steeped in the rich history of the LA art scene.

Throughout his career, Hayward was involved in significant exhibitions, including the 1977 New York group show “Less is More” at Sidney Janis Gallery, where his work garnered widespread acclaim. Known for his spirited rants about the art world, he shared both humorous and cautionary tales of his dealings, including a notorious experience with LA dealer Doug Chrismas.

Despite his formidable reputation, Hayward was immensely respected by contemporaries such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Frances Colpitt, many of whom were his friends. His influence also extended to artists like Mike Kelley, whom Hayward helped secure a teaching position that marked a significant step in Kelley’s career.

Hayward’s work is celebrated in museums and private collections worldwide, testament to his unwavering commitment to the purity of abstraction. His last exhibition, a group show at the William Turner Gallery in Santa Monica, was a testament to his enduring legacy. Gallery owner William Turner praised Hayward for the distilled clarity and authenticity of his work, qualities that resonated deeply with audiences and critics alike.

Hayward left an indelible mark not only through his art but also through the relationships he cultivated and the stories he told. He was a genuine, larger-than-life character whose loss leaves a palpable void in the Los Angeles art world. His passing is mourned by many who experienced the warmth of his friendship, the richness of his stories, and the brilliance of his work.