An Artist’s Perspective from the Easel
Welcome to the 335th installment of A View From the Easel, a series where artists reflect on their workspace. This week, we dive into the creative realm of Gerardo Camargo, an artist inspired by Latino communities who transforms basic materials into artistic tools.
Gerardo has been working in his current studio for six years. Nestled in his basement, he begins his average workday early in the morning to capitalize on the quiet. His creative process is accompanied by news podcasts in both Spanish and English, while the tunes of cumbia, folk music, or rancheras often inspire him to sing and dance. Seeking motivation, he delves into videos about codexes, myths, and Mesoamerican gods and goddesses. Multitasking is key for Gerardo, as he shifts focus among three-dimensional works, collages, and small drawings, ensuring deadlines remain a priority.
The home-based studio encourages a quiet start, with focus on sketching and reading until he can freely explore noisier techniques. With no windows, Gerardo finds solace in the absence of external distractions. Interaction with his surroundings extends beyond his studio, as his work integrates discarded materials from construction sites. Recent inspiration derives from the Latino immigrant community, whose industrious spirit and camaraderie resonate with him. Despite living in the suburbs, he enjoys the cultural diversity of his neighborhood.
Gerardo’s spacious, well-illuminated studio is meticulously organized into three distinct areas: a dusty power tools room, a two-dimensional art and framing zone, and an assembling and gallery-like space. While the setup is ideal, he wishes for deeper engagement with the artistic community. H owever, having his wife, also an artist, working in the same home provides a constant exchange of feedback and stimulating conversations.
When it comes to museums, the Hirshhorn Museum is a favorite, offering pieces that profoundly resonate with him. Additionally, the American Visionary Art Museum in Baltimore holds a special place in his heart. Gerardo’s preferred art materials are unconventional; he leans away from traditional art supplies, favoring materials with a history and story, rejecting those created solely for art’s sake.
If you’d like to share your workspace, explore the submission guidelines and consider contributing to A View From the Easel. All mediums and workspaces are welcome, even if it’s a cozy home studio.