The US Pavilion Seeks Financial Contributions

**Daily Newsletter Update: Unusual Fundraising, LACMA Controversy, and More**

The art world is abuzz with a unique funding approach for Alma Allen’s Venice exhibition, as the American Arts Conservancy launches an online donation campaign for the 2026 US Pavilion at the Venice Biennale. This unconventional method is necessary due to the lack of institutional financial support. Meanwhile, Hyperallergic is encouraging art enthusiasts to consider supporting their membership for access to exclusive events, including a conversation with artist Jeremy Frey.

In Los Angeles, LACMA faces criticism over a sculpture by Pedro Reyes. The artwork echoes a previous commission rejected in Mexico City amid protests centered around agency and representation. Adding to LA’s art scene shifts, The Box, an experimental nonprofit gallery known for daring programs, has closed after nearly two decades.

In noteworthy exhibitions, the Tate is showcasing Nigerian modernism, spotlighted by critic Aditya Iyer, while Eliana Perozo highlights artist Arleene Correa Valencia’s work blending bark paper and embroidery to tell immigration stories.

For those interested in further reading, Yale University Press is featuring a selection of early 2026 art books, while NYU Steinhardt showcases MFA thesis exhibitions. Engage with these stories and more through Hyperallergic’s ongoing coverage.