Leonardo Madriz’s Sculptures Highlighting Current Precariousness

Leonardo Madriz’s recent exhibition, “Do Not Be Afraid,” at Parent Company explores the concept of totemic sculpture, drawing inspiration from post-war artists like Louise Nevelson and Joan Miró, while also considering the decolonial perspectives of Simone Leigh. Madriz’s sculptures, described as sentinels, merge everyday items with intricate knots, forming structures that symbolize protection and resilience. His pieces, such as “Down Is the New Up (Möbius Recalibrates)” and “Sentinel of Lacrimosa Guerrero,” are rich with metaphorical meaning, reflecting the precarious balance of American life. Madriz uses objects like a counterfeit Rolex, barbed wire, and ropes tied in various knots to create works that critique economic and social realities, akin to the approach of artist Arthur Simms. This exhibition poignantly captures the fragility and complexity of contemporary existence, highlighting personal and collective histories through its assemblages. “Do Not Be Afraid” runs through May 2 on the Lower East Side of Manhattan.